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Site Posts

• Making Author Pages for an Academic Journal in Eleventy, or, How to Manipulate Collection Data in Eleventy—September 23, 2023
• If You Give a CLAM a Cembalo, or, How to Perform a Concerto—July 01, 2023
• On Bach's Concerto for Two Harpsichords in C Major—June 28, 2023
• Review of Two Songs by Tally Hall—December 12, 2022
• Erictho and the Manipulation of Memory in Bellum Civile—December 12, 2022
• Church Music is Horrid (Andrew Law, 1803)—July 18, 2022
• Review of Bruce Prince-Joseph's Swingin' Harpsichord and Sisask's “Agnus Dei”and “Benedictio.”—May 23, 2022
• Thou Hast Horrid Harpsichord Technique (Shakespeare Sonnet 128)—May 12, 2022
• Review of Michael Kruger's Canon Revisited—April 15, 2022
• On French Suite №4, in E♭ Major—April 05, 2022
• John Ahern on the Harpsichord—February 08, 2022
• Wolfmueller on American Christianity—January 11, 2022
• Bukofzer on Bach and Handel—January 11, 2022
• The Baroque Church Organ in Italy and Germany: The Instrument and its Music—May 08, 2021
• Environment and the Importance of Confession in Crime and Punishment—March 22, 2021
• Divine Intervention in Western Epic—November 27, 2020
• Rhetoric in Heaven—November 23, 2020